Opinion
There are clubs you follow for trophies, and clubs you follow because they feel real. US Pergolettese sits firmly in the second category.
Based in Crema, in the flat heart of Lombardy, Pergolettese are a proper provincial football side. No glamour, no illusions. Just football that means something to the people who turn up every week.
They play in Serie C, Italy’s third tier, a division where nothing comes easy and everything has to be earned. That suits Pergo just fine.

From Pergoletto to Pergo
Football in Crema officially started in 1932, when the club was founded in Pergoletto, a suburb of the town. Over the years, the name changed, Pergolettese became Pergocrema, but the identity stayed the same: local, stubborn, and proud of it.
There were highs. Winning Serie C2 in 2007–08 and finishing 11th the following season remains the best result in the club’s history. There were also lows. In 2012, financial problems caught up with Pergocrema and the club went bankrupt. Doors shut. Silence followed.



But football in places like this doesn’t just disappear.
A year later, the title of Pizzighettone moved to Crema, the name US Pergolettese 1932 returned, and the story carried on. Promotion followed, and by 2019, Pergo were back in the professional game, this time holding their own against clubs with far bigger names and budgets.

The Cannibals
Pergolettese are known as I Cannibali. It’s not a nickname dreamed up by a marketing team. It comes from how they play.
This is football built on physicality, pressure and refusal to back down. They don’t try to outplay you. They don’t pretend to be something they’re not. They get close, they make it uncomfortable, and they keep going until you crack.
Small ground. Tight pitch. Fans right on top of you. Away teams know they’ve been somewhere after a visit to Crema. Around here, football has always been more of a contest than a performance.



The Stands and the City
Pergolettese share the Stadio Giuseppe Voltini with city rivals AC Crema, which only adds fuel to the local derby. Rivalries with Mantova, Pro Patria, Lecco and others run deep, while friendships with Piacenza supporters and even Union Saint-Gilloise fans show how these connections stretch well beyond Lombardy.
Crema itself often surprises people. It’s best known internationally for Call Me By Your Name, filmed among its streets and piazzas, but there’s more here than cinema tourism. Agriculture, cheese, small industry and a strong sense of local identity define the town.
And then there’s the food. Tortelli cremaschi — sweet, stuffed pasta that confuses first-timers — alongside salva cheese, winter dishes like pipèto, and pastries that belong to this place alone. Matchday doesn’t end at the final whistle. It spills into cafés, bakeries and late conversations.




Today’s Pergolettese
The current squad is exactly what you’d expect from Pergo: experienced Serie C heads, younger players on loan from bigger clubs, and a core that knows what it means to play here. Captain Mariano Arini sets the tone, while the team continues to lean into that Cannibals’ reputation — organised, intense and difficult to beat.
They’re not chasing fairy tales. Survival, stability and pride come first.


Why Pergolettese matter
US Pergolettese won’t dominate headlines. They won’t trend online. But they represent something essential about Italian football: community clubs, rebuilt after failure, still standing because people care enough to keep them alive.
In Crema, football isn’t about status. It’s about turning up, backing your side, and knowing exactly who you are. Pergolettese know that better than most.

All our thanks to Luca Gaiera and U.S. Pergolettese 1932
Latest
To celebrate the 80th anniversary of Sorrento Calcio, “Sorrento, Worn Over Time” is an editorial project accompanying the launch of the anniversary jersey designed by Ezeta. A story that chooses to begin with what makes this milestone truly meaningful: people, and the deep bond between a club and its city.
Shaping the visual narrative is the photographic gaze of Giuseppe Romano, who moves through Sorrento following gestures, places, and people that define the city’s identity every day. His images capture a living relationship between the jersey, the city, and those who wear it, leaving space for time rather than emphasis.


The project originates from a proposal by Ezeta, who envisioned this anniversary not as a purely aesthetic celebration but as an opportunity to give voice to a shared history. From this intuition came the collaboration with Magliofili and Sport Media House, who curated the creative direction of the project, bringing together different sensibilities and languages to build an editorial narrative that enhances the jersey’s design and cultural meaning.
This story did not start in a photographic studio, but in the streets of Sorrento. The project took shape by walking through the city, knocking on workshop doors, entering laboratories, and stopping in places of everyday life. Those who live and work in Sorrento were asked what the city represents to them, and to wear a jersey that celebrates eighty years of belonging, memory, and identity.

The jersey thus becomes something alive, far from a purely celebratory or symbolic representation. It is part of daily life: work, routine, effort, and joy. A legacy that is not preserved, but worn.
The two versions of the jersey, white and black, are interpreted by real citizens, chosen not as models but as protagonists. Not didactic portraits dividing generations, but images that speak of encounters, exchanges, and continuity between past and present.
Iconic and ordinary places throughout Sorrento become an integral part of the narrative. The city is not a backdrop, but a living context, naturally intertwined with the jersey and the situations of everyday life.

The editorial project will be presented through a selection of photographs and video content released on social channels, accompanying the launch of the anniversary jersey.
Because some stories do not belong to a single moment.
They live through time, and they continue to be worn.

Images by Giuseppe Romano,
Kit available at: Ezeta.
All words and images: Imma Rhamely Borrelli
They are quieter than the stories of the ultras, perhaps, but no less rich — lives shaped by football and devotion.
A December Ritual
December 8th marks the unofficial beginning of the Christmas holidays in Italy. Homes are dressed with fairy lights and mistletoe, while cities illuminate towering trees in both grand piazzas and quiet neighbourhood squares.
I, on the other hand, spend this day at the Partenio–Lombardi Stadium in Avellino for a Serie B clash between Avellino and Venezia.

Outside the Ground
The stadium’s perimeter walls tell their own story — a collage of murals and stickers, both historic and contemporary. In the car park opposite, makeshift stalls sell scarves and gadgets, while kiosks offer sandwiches and soft drinks. The air is thick with smoke, chatter, and that familiar pre-match adrenaline.
I follow the flow of supporters and enter the Tribuna Terminio. I never quite make it to my assigned seat in the press box, choosing instead the balcony. In Avellino, people are hospitable, open, and generous — something that cannot be taken for granted. They have no hesitation in making space for me, even as a foreigner with a camera slung around my neck, offering me a perfect vantage point of the pitch.




Colours from the Away End
According to official figures, around 120 Venezia supporters are present. My side-on view of the away section is partial, but close enough to hear them clearly during the brief moments when the home curva allows itself a pause. They are colourful, armed with flags, and in the first half even risk bare-chested chants. A strong showing, both in voice and presence.

The Heartbeat of the Curva Sud
The Curva Sud of Avellino, however, is a spectacle in itself. Hands rise into the air as voices thunder “LUPI!” before the flags of the various groups begin to wave in unison. It is a ritual, a collective ignition.
Watching a match from within the stands is something entirely different from viewing it from the sidelines, where attention gravitates towards technical details and tight angles. Among the fans, football becomes a collection of lives and stories.


Sunlight, Smoke, and Song
Beside me stands Mr Vincenzo, listening to live commentary through a small radio pressed to his ear. He tells me he has been coming to the stadium for forty years. He recalls journeys by train and bus, always following Avellino, always faithful, a true lupo. These encounters are only possible through proximity. They are quieter than the stories of the ultras, perhaps, but no less rich — lives shaped by football and devotion.
A generous winter sun warms the green land of Irpinia and those of us in the stands. The feeling of satisfaction I experience here — in this exact place — is complete and impossible to replicate elsewhere.



On the pitch, the match is lively. The crowd moves in rhythm with the game, voices rising and falling with every passage of play. When Avellino score, the stadium seems to shake. “Forza lupi!” shout the boys beside me, offering peanuts bought at the bar. One of them wears a faded, well-worn scarf — a living object that has clearly witnessed many afternoons like this.
Smoke bombs flare intermittently between the away section and the Curva Sud. A series of spectacular saves sends Vincenzo into rapture. He turns to me proudly: “Have you seen how beautiful my Avellino is?”

A Tense Finish
In the final minutes and added time, it becomes impossible not to put the camera aside and simply watch. The curva presses relentlessly, as does the entire stadium. Venezia score, but VAR intervenes — offside. The final whistle confirms a 1–1 draw.
At full time, the stadium becomes a wall of green scarves.

Lingering Moments
No one seems in a hurry to leave. While the away fans wait to be escorted out, the Curva Sud’s “third half” unfolds — chants of unity, freedom for ultras, and the right to travel freely. Eventually, the stewards arrive, gently urging people to clear the steps.
On my way out, I stop once more to photograph the stickers around the turnstiles. Leaving something beautiful is never easy, but memory helps soften the departure — sometimes even before the moment has fully passed.
Back in the car, as traffic inches forward and warm air fills the cabin, I begin to organise the experience in my mind, hoping to write about it with the care it deserves.

All words and images: Imma Rhamely Borrelli
All words and images: Josh Walker
“It was the most alive I think I’ve ever felt.”
On 12 December, Boca Juniors fans celebrate what they proudly call the Día del Hincha de Boca — the Day of the Boca Fan. It’s a date dedicated to the club’s so-called 12th man, a nod to the supporters who believe their presence, noise, and loyalty are as important as the players on the pitch. The day is also closely linked to La Doce, one of Boca’s most famous barra brava factions, and to the wider idea that at Boca, the crowd is never just the backdrop.
It’s that belief that brought Josh Walker to Buenos Aires, making his way to the city to experience its football culture first-hand.
Josh set out to understand what makes La Bombonera feel so different, why it moves, why it shakes, and why Boca’s supporters are spoken about with such reverence.
What follows is a personal reflection on seeing Boca Juniors up close, not just the club, but the people who give it its meaning, and the moments that make La Bombonera feel like a living thing.





Life in Blue and Gold
“My friend Lucas once told me that Boca is a way of seeing life. In his own words, ‘It’s what I see every day of my life, and what taught me to love unconditionally.’ Last month, I was lucky enough to finally find out exactly what he meant.
Over two weeks, we were fortunate enough to experience Boca twice. There were so many moments I could draw on, not least a Superclásico win and the full force of La Bombonera laid bare.


However, it was a week later, against Tigre, and a moment right at the end of the game that has truly stuck with me. The day itself had been incredible: beers and conversation leading up to kick-off, a goodbye to Lucas as we took our separate seats, and then, afterwards, a return to our own lives. I think I was feeling a quiet melancholy as the trip drew to a close, trying to soak in every last detail the stadium and its supporters had to offer before it was all over.
It took every bit of me to stay composed. The heartbeat of that stadium, the way Boca fans seem to experience a surge of being simply by standing in the presence of their team — and in the presence of each other — was overwhelming. It was the most alive I think I’ve ever felt. It was a different way of seeing life: the Boca way. And honestly, I don’t want to go back to any other way. In that moment, I finally understood what Lucas meant.


I once read a quote from a famous Boca fan, La Raulito, that has stayed with me: “Nobody made me a Boca fan; I already knew those colours would bring me so much joy.” In Argentina, life starts and ends with football. In La Boca, life loses all colour without blue and gold.
In my case, I couldn’t have imagined the joy those colours would bring me. Nobody made me a Boca fan either — except Boca itself, if that makes any sense at all. This mental club, and everything and everyone it encompasses, draws you in. If you get it, you get it. And if you don’t, well… shame on you.
Against the backdrop of a turbulent period for Argentina, the richness that football gives to the people of this country is beauty beyond belief—a special club, in a special part of the world.
Dale Boca. Forever.

All words and images: Josh Walker
Words and Images Luke Bajic
The whole city feels built around BVB
I arrived in Dortmund early, fresh off the train from Düsseldorf, teeth chattering in the cold, the station already buzzing. Yellow and black everywhere. People drifting between cans, conversations, and the hunt for a warm bar. I wandered up to Borsigplatz, BVB’s birthplace, before heading out to Westfalenstadion, and the nearer I got, the louder it felt.
Three hours before kick-off, and the whole place was already alive. Smoke hanging in the air from bratwurst stalls, half-and-half scarves, cans cracking open, and a small army darting around collecting empties for recycling.



A couple of locals clocked me blowing into my hands. “Kalt.” My limited German translated, and away we went, chatting about predictions. One lad confidently told me it would finish 3–3 — and he wasn’t wrong.
Up in the stand, I squeezed in next to two families and a group of eight mates who stand together every other week, some travelling over three hours for every match. Smiles, nods, hellos. The Wall was almost full before the warm-ups even began, people treating it the way we treat the pub back home: a beer, a chat, a few vocals. Then You’ll Never Walk Alone and every scarf in the air.



When Dortmund scored what everyone thought was a late winner, the guy next to me climbed the railings before his mates could grab him… only for Stuttgart to equalise seconds later. Full-time. 3–3. A boot slammed against the railing. He looked at me, “F***.”
A few fans stayed behind afterwards to finish beers, cigarettes, and cups of Glühwein. No rush. Just people being together because this is their place.

How Dortmund Compares to Stadiums Around the World
I’ve seen football in a few places, but the Yellow Wall isn’t just noise and flags. Even the silence spoke. The first twelve minutes felt weirdly flat until the young lad next to me explained there was a fan-led protest against proposed ID checks for ticket holders in German football — something that’s slowly creeping into the English game too. Tens of thousands of people falling silent on cue… and then erupting together in the 12th minute, orchestrated by megaphone.
Once the protest lifted, the Wall turned into exactly what you imagine it to be. Beer flying through the air, goal music thumping, strangers hugging. Locals sticking their hoods up for fear of flying Glühwein. When Dortmund scored, the whole stand moved as one. When they conceded 2–1, then 2–2, and finally 3–3, the groans rolled through the crowd, but the singing never stopped.
It felt like one big family. Honestly, it made me fall a little in love with live football again. As a Leicester fan, the last couple of years the stands have been full of disillusioned faces, but this reminded me of what it used to feel like… connected, buzzing.
Understanding Football Culture in Dortmund
With over 81,000 fans packing the place every matchday, Dortmund isn’t just a city’s club — it’s a region’s club. People travel in from all over northwest Germany (thanks to free public transport with matchday tickets) and even across Europe, and you feel that the moment you step off the train. Dortmund station is rammed from early, a tide of yellow and black spilling into the streets.
The whole city feels built around BVB. As soon as you leave the station, giant flags and murals guide you into town. Over in Borsigplatz, everything is drenched in club colours — the roundabout draped in yellow and black flags, corner shops painted and branded, even the bollards wearing BVB stripes. At the centre sits a community cage on Max Michallek Platz, where kids belt balls off the metal fencing surrounded by black-and-yellow artwork.
BVB lives well beyond Westfalenstadion.
All words and images by Jonas Zöller
“This whole scene, I feel, is somehow symbolic of the culture of football here. Football is family, and family is everything.“
North to Salvador
After our stop in Rio de Janeiro, we head north. Salvador de Bahia once served as a central hub for the Portuguese colonial slave trade, and its marks are still visible today. Salvador feels different from everywhere I’ve been so far. It feels like a different Brazil.
Into the Heat
When we make our way toward Arena Fonte Nova, the heat is blistering. I’ve been travelling across South America for more than two months now, and yet my skin is still so pale that I seem to get sunburned after ten minutes.
The stadium of Esporte Clube Bahia sits beside a lake, and the entire area transforms into the biggest prévia I’ve seen so far. Hundreds of stands sell fake shirts, food, and beer. We arrive early, but already thousands of people in blue and red shirts fill the area. We drift through the crowd, dive into the noise, and try whatever is offered. There’s just one problem: finding a vegetarian option is absolutely impossible. When my girlfriend asks an older woman at one of the stalls for something without meat, she gets only confused laughter from the vendor and everyone around.



The Camera Problem
As we leave the forecourt and head toward the entrance, the steward sees my camera and shakes his head. It takes me a few seconds to process what he means. Not once on this trip has anyone stopped me from taking my camera inside. I try explaining, but I don’t speak Portuguese, and too many people are pushing through the turnstiles for me to use my translator. My attempt to sneakily hand the camera to my girlfriend fails miserably.
Panic rises. After the disappointment in São Paulo, is Salvador slipping away, too? Do I part ways with the camera that has accompanied me through so many stadiums?


I step aside, trying to think clearly. A woman from security stands nearby. She must see the desperation on my face, because she asks what’s wrong and offers to keep the camera until shortly before the end of the match. I hesitate. I’m sceptical. But something in me trusts her.
We exchange numbers, and I hand her the camera. And still I’m not feeling good. So many memories are part of this camera, so many moments have been captured by it.

Inside the Arena
When we step into the stadium, my worry disappears for a few minutes. The stands are unbelievably steep and packed tight. The arena is open to one side, offering a breathtaking view of the city skyline. The entire place seems to boil and sway, led by the Torcida Bamor. Even more than in Argentina, the torcida seems to dance to its own rhythms. The setting sun is making its way through the stadium’s open side, and for a moment, I feel like I’m part of the crowd.


A Moment of Faith
As halftime approaches, I write to the security woman again. I take a few minutes to explain how important the camera is to me. It was passed down from my grandfather. The signal is terrible, and I’m already preparing myself for the worst, trying to press this feeling down my throat.
The disappointment builds in my chest when someone suddenly taps my shoulder. I turn around and freeze. It’s her. For a moment, I can only stare. When she meets my eyes, she tells me—visibly moved—what family means to her. When she hands me my camera, relief floods through me all at once. After a tight hug, she disappears as quickly as she arrived.
This whole scene, I feel, is somehow symbolic of the culture of football here. Football is family, and family is everything.


The Explosive Finale
When the second half kicks off, I can hardly believe my luck—and it seems to rub off on the team too. Bahia equalise midway through the half, and when the winner comes in the 90th minute, the stadium explodes. People tumble over each other on the steep terraces, and the final seconds blur into euphoria. It’s not the shallow dancing to the rhythm now—it’s the pure, brutal noise that seems to soak into everyone in the arena for a moment.

A Different Kind of Connection
Later, as we wait for our Uber, adrenaline drains into gratitude. The stadium, the late winner, the camera I thought I’d lost. Maybe the thing that feels the most meaningful in this moment, though, is that I feel somehow more connected to Brazilian football now.

You can follow Jonas on social media by clicking here
There are places where football stops being a game and becomes something elemental, a form of survival, a map of identity, a pulse that passes from generation to generation. NO FAIR PLAY, the new exhibition at 2LAB in Catania, steps directly into that current.
Bringing together three archives from three cities with three radically different histories, the show looks beyond the pitch and into the lives of those who animate it. From the drenched terraces of England to the volcanic streets of Naples and the fiercely territorial world of Catania’s ultras, this is football as lived experience, ritual, defiance, and belonging.
The result is not an exhibition about football, but about the people who breathe life into it, and the images that become their living memory.

Lower Block: The British Game in Black & White Grit
Founded by Matt Lidbury, Lower Block is less an archive than a time machine. Its photographs and fanzines capture the raw, unvarnished feeling of British football culture — the walk to the ground, the smoke on the concourse, the cold chip-shop light after a night game.
It documents what the British game often hides: the devotion of away days, the humour in the chaos, the communities stitched together by shared ritual. Lower Block shows the terraces as theatres of identity — places where locality, class, and culture collide.
In NO FAIR PLAY, their presence becomes a grounding point, a reminder that the emotional intensity of fandom doesn’t begin in the stadium. It begins in the street.



Boogie’s Naples: Euphoria on the Edge of the Volcano
When Napoli won the Scudetto in 2023, the city didn’t celebrate — it erupted. And few photographers on earth could have captured that eruption better than Boogie, whose career has taken him from Belgrade’s underbelly to New York’s streets and Kingston’s tension-soaked corners.
Boogie shoots the world with unfiltered honesty. His images of Naples are alive with the electricity of a city experiencing itself fully: joy, defiance, identity, and release. Bodies climb lampposts, flags swallow entire streets, strangers become family for a night.
In NO FAIR PLAY, Boogie’s work becomes a portrait of a city in collective confession — its history, struggle and pride exploding in blue.



Emiliano Zingale: Catania, Territory, and the Architecture of Belonging
For Emiliano Zingale, Catania’s ultras are not subjects — they are a living ecosystem. His long-term project, Ultras Catania studies how identity forms inside a community that exists in constant negotiation with the world around it.
Supporters are shown not as caricatures of fanaticism but as complex social groups: devoted, rebellious, shaped by territory and economics and history. His images catch the quiet moments — the preparation of banners, the choreography of movement — as well as the charged ones.
Zingale’s work grounds the exhibition in Catania’s own heartbeat. For a city that has lived through crisis, rebirth, and reinvention, its ultras are a mirror of resilience.



2LAB: A Home for the Contemporary Archive
Founded by Carmelo and Mattia Stompo, 2LAB has become one of Italy’s most exciting independent spaces for contemporary photography. Based in the historic centre of Catania, it blends exhibitions, residencies, publishing, and education to build a community around visual culture.
NO FAIR PLAY is part of MotoImmobile, their biennial program dedicated to the photographic archive — to memory as both document and living organism.
What 2LAB has created with this exhibition is a triangulation of identity:
England. Naples. Catania.
Three cities whose stories could not be more different — yet whose football cultures share the same emotional DNA.
More Than Ultras, More Than Football
NO FAIR PLAY shows what happens when photography becomes anthropology, when images stop being decoration and become testimony.
Here, ultras are not mythologised, sanitised, or condemned. They are understood.
These photographs ask questions about:
– how identity is formed
– who gets to belong
– what it means to resist
– and how communities build themselves through ritual, territory, and memory
It is an exhibition for anyone who has ever stood in a stadium and felt part of something larger than themselves.

EXHIBITION INFORMATION
NO FAIR PLAY — Photography, Identity, Defiance
19 December 2025 – 18 January 2026
2LAB — Via Porta di Ferro 36/38, Catania
Opening: 19 December, 7 PM
Admission: Reserved for members (membership available at the venue)
More info: duelab.org | @duelab_____